– Ned Chaillet, Greek research yields spectacular rewards, in «Times», 30/10/1980.
– Massimo Fusillo, Pier Paolo Pasolini, Luca Ronconi und die griechische Tragödie: eine Neuinszenierung von Pilade, in Anton Bierl and Peter von Moellendorf (a cura di), Orchestra: Drama-Mythos-Bühne: Festschrift für Helmut Flashar anlässlich seines 65, Stuttgart, Leipzig, Teubner, 1994, p. 242.
– Peter Burian, Paul Cartledge, Patricia E. Easterling, Simon Goldhill, Edith Hall, Fiona Macintosh, Oliver Taplin, The Cambridge Companion to Greek Tragedy, Cambridge, Cambridge University Press, 1997, p. 316.
– Platon Mavromoustakos, Elena Patrikiou, I Metafrase tou Archaiou Hellenikou Dramatos se Oles tis Glosses tou Kosmou [The Translation of Ancient Greek Drama in All the Languages of the World], in «Conference proceedings published by the Centre for the Study and Practical Realisation of Ancient Greek Drama (DESMOI)», Athina, 1998, p. 262.
– Gonda A. H. Van Steen, Rolling out the Red Carpet: Power ‘Play’ in Modern Greek Versions of the Myth of Orestes from the 1960s and 1970s. Part I, in «International Journal of the Classical Tradition», 2002, 9/1, p. 53, n.6
– Edith Hall, Fiona Macintosh, Amanda Wrigley, Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium, Oxford, Oxford University Press, 2004, p. 42, 313, 329, 332, 344-352, 355, 360, 388, fig. a p. 346 |